What is the role of the designer in drawing together matters of concerns, rather than mere matters of facts, and help articulating individual interests in such a way as to constitute common interests? What would it mean for designers to embrace differences, even conflict, as inherent to the political project that is design?

In order to gain a meaningful re-enchantment, Design needs to embrace and capture the folkloric aspect of community as a learning approach, whilst relying less on a top-down elitist view of the profession through the eyes of “leaders” (people who happened to be there first, or have the loudest voices).