
Dancing at the Edge of the World: Thoughts on Words, Women, Places

I don’t think we’re ever going to get to utopia again by going forward, but only roundabout or sideways; because we’re in a rational dilemma, an either/or situation as perceived by the binary computer mentality, and neither the either nor the or is a place where people can live.
Ursula K. Le Guin • Dancing at the Edge of the World: Thoughts on Words, Women, Places
Our schools and colleges, institutions of the patriarchy, generally teach us to listen to people in power, men or women speaking the father tongue; and so they teach us not to listen to the mother tongue, to what the powerless say, poor men, women, children: not to hear that as valid discourse.
Ursula K. Le Guin • Dancing at the Edge of the World: Thoughts on Words, Women, Places
The integrity of a piece of language, poetry or prose, is a function of its quality; and an essential element of its quality is the inseparability of idea and language. When a thing is said right it is said right, whether in prose or poetry, formal discourse or cursing the cat. If it is said wrong, if it lacks quality, if it is stupid poetry or car
... See moreUrsula K. Le Guin • Dancing at the Edge of the World: Thoughts on Words, Women, Places
Success is somebody else’s failure. Success is the American Dream we can keep dreaming because most people in most places, including thirty million of ourselves, live wide awake in the terrible reality of poverty. No, I do not wish you success. I don’t even want to talk about it. I want to talk about failure.
Ursula K. Le Guin • Dancing at the Edge of the World: Thoughts on Words, Women, Places
Effective works of fantasy are distinguished by their often relentless accuracy of detail, by their exactness of imagination, by the coherence and integrity of their imagined worlds—by, precisely, their paradoxical truthfulness.
Ursula K. Le Guin • Dancing at the Edge of the World: Thoughts on Words, Women, Places
Writers have to get used to launching something beautiful and watching it crash and burn.
Ursula K. Le Guin • Dancing at the Edge of the World: Thoughts on Words, Women, Places
if you’re underneath, if you’re kept down, you break out, you subvert. We are volcanoes. When we women offer our experience as our truth, as human truth, all the maps change. There are new mountains.
Ursula K. Le Guin • Dancing at the Edge of the World: Thoughts on Words, Women, Places
What would a yin utopia be? It would be dark, wet, obscure, weak, yielding, passive, participatory, circular, cyclical, peaceful, nurturant, retreating, contracting, and cold.
Ursula K. Le Guin • Dancing at the Edge of the World: Thoughts on Words, Women, Places
and when they tell you that it’s second-class work because a woman is doing it, I hope you tell them to go to hell and while they’re going to give you equal pay for equal time.