“If standardized time was a fiction more or less driven by capitalism,” writes D’Erasmo, “it might be possible that [internet] atemporality is a fiction more or less driven by capitalism as well.”
One of these is Yunnan’s Dali, a city on the northern tip of highland Southeast Asia, where I spent much of 2022. There, one can find the remnants of a drug culture as well as a party scene for an occasional rave. But even Dali is becoming less tenable these days since the central government has cottoned on that the city is a hub for free spirits.
Until recently, the entertainment industry has been on a growth tear—so much so, that anything artsy or indie or alternative got squeezed as collateral damage.