Cultural Dopes
This period has been addressed by Franco Berardi, and later by Mark Fisher, as “the slow cancellation of the future.” Referencing Moishe Postone’s 1996 book Time, Labor, and Social Domination and Spencer Leonard’s 2009 essay, “Going it Alone: Christopher Hitchens and the Death of the Left,” Wolfe writes: The ceaseless proliferation of the new now p... See more
Jess Henderson • Dude, where’s my 22nd century? – On the Burnout of Future Images
Sixian added
Despite all the crises we face – the cost of living, climate change, AI – any of which should surely be enough material to inspire real and meaningful art, the overwhelm of information paired with exhausting post-capitalist forces has created an atmosphere that is nihilistic and excruciatingly mid.
How Did Everything Get So Mid?
Despite all the crises we face – the cost of living, climate change, AI – any of which should surely be enough material to inspire real and meaningful art, the overwhelm of information paired with exhausting post-capitalist forces has created an atmosphere that is nihilistic and excruciatingly mid.
How Did Everything Get So Mid?
Sarah Owen and added
We are in a period which I think is dominated by two great cultural signifiers. An analog system that belonged to our parents, which has been shot full of holes. It is the symbol of the ruined castle. "Gothic High-Tech." The ruins of the unsustainable. And the other symbol is the favela slum, "Favela Chic," the informalized, illegalized, heavily ne... See more
Bruce Sterling • Atemporality for the Creative Artist
Sixian added
In fact, one of the things that will not survive is novelty itself: trends, fads, fashions, scenes, vibes. We are thrown back into cyclical time; what’s growing old is the cruel demand to make things new.
Sam Kriss • The internet is already over
Jay Matthews and added
Keely Adler and added
This perception that culture is stuck and plagued by sameness is indeed due to the omnipresence of algorithmic feeds.