Concrete clickbait: next time you share a spomenik photo, think ...

Ruins have inspired similar kinds of objectification for millennia. For many, they’re visual objects, things to romanticize, fetishize and look at from afar. It’s a simplified way of seeing that lends itself to extraction more than engagement, a kind “over-aestheticization of past eras." Henri Lefebvre explored the phenomenon in 1968, writing ... See more

Emphasizing the visuals of ruination offers an emotional buffer from the economic, political, and social issues that lead to ruin’s rise.

Ruins can be potent "containers for emergent forms of inhabitation in a damaged world." Relating to ruins as more than nostalgic, fetishized objects interrupts our memory cycles, reminding us that place can be remade in imaginative ways even when conditions are harsh.

People have been inspired to create new spaces, rituals and infrastructure amongst ruins for millennia, artists in particular. From London to Berlin to Rome to Manila, many cities have been continually built anew atop the wreckage of their pasts, with creative groups often leading the way.