"swagger,"

In their eyes, reform was entirely enlightened policy, and in advocating it, they repeatedly invoked the rhetoric of "freedom," "modernity," and "liberty."

white supremacy,

class privilege,

U. S. citizens also helped legitimize and globalize the calypso through their participation in its production.

Captain C. Longridge, who in 1932 denounced jazz from the United States as "primitive music" and summoned fellow believers to "taboo the jazz dance in every shape and form."

Arising in occupied Trinidad was unprecedented public debate about the relationships between clothes and the overlapping precepts around class, gender, race, and empire.

it referred to what the piece defined as tastelessness marked by "a contrast of luxury and squalor."$9

has