a softer, gentler modernism: on alvar & aino aalto
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a softer, gentler modernism: on alvar & aino aalto
“emotional architecture”—a concept which also lends the title to this exhibition. According to Barragán, “It is very important for humankind that architecture should move by its beauty; if there are many equally valid technical solutions to a problem, the one which offers the user a message of beauty and emotion, that one is architecture.”
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architects are now taught to design houses, not homes, thus contributing to the uprooting that feeds into our growing inability to genuinely connect with the world. There is a “poetics of home”—linked to memory, emotions, dreams, identity, and intimacy—that functional architecture and “modern living” have foreclosed
Arturo Escobar • Designs for the Pluriverse: Radical Interdependence, Autonomy, and the Making of Worlds (New Ecologies for the Twenty-First Century)
It was then I realised architecture is not about creating structures that are aesthetically pleasing or merely functional: it’s about designing spaces that evoke emotion and resonate with the human spirit. The Farnsworth House may have been a triumph of modernist design, but it lacked the warmth and humanity architecture should embody.
I was delighted when I found the contemporary French philosopher Alain de Botton and his book “The Architecture of Happiness,” about the philosophical and psychological relationship between architecture and our identities.
De Botton writes: “The buildings we admire are ultimately those which, in a variety of ways, extol the values we think worthwhil... See more
De Botton writes: “The buildings we admire are ultimately those which, in a variety of ways, extol the values we think worthwhil... See more