A RESPONSE TO "THE WORLD OF INTERIORS"

Taking architecture seriously therefore makes some singular and strenuous demands upon us. It requires that we open ourselves to the idea that we are affected by our surroundings even when they are made of vinyl and would be expensive and time-consuming to ameliorate. It means conceding that we are inconveniently vulnerable to the colour of our wal

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Anne Helen Petersen has written about the “professionalization” of homes, thanks to the “market-reflected gaze,” and I think that this extends to the creative space as well—we base our expectations of our creative spaces not off of how we work best, but what we think creative spaces should look like. That clean and organized aesthetic also overflow... See more

Like many writers before me, I tend to lean on vague hand-waving when the need to define taste, or rather, good taste, arises. A common trope is to use the phrase US Supreme Court justice Stewart famously gave to describe obscenity, a similarly hard-to-describe bedfellow of taste, in 1964: “I know it when I see it.” In design, good taste can be kno... See more