
A Portrait of the Artist as a Young Man (Wisehouse Classics Edition)

Death, a cause of terror to the sinner, is a blessed moment for him who has walked in the right path, fulfilling the duties of his station in life, attending to his morning and evening prayers, approaching the holy sacrament frequently and performing good and merciful works. For the pious and believing catholic, for the just man, death is no cause
... See moreJames Joyce • A Portrait of the Artist as a Young Man (Wisehouse Classics Edition)
— Do you know what Ireland is? asked Stephen with cold violence. Ireland is the old sow that eats her farrow.
James Joyce • A Portrait of the Artist as a Young Man (Wisehouse Classics Edition)
The poor sinner holds out his arms to those who were dear to him in this earthly world, to those whose simple piety perhaps he made a mock of, to those who counselled him and tried to lead him on the right path, to a kind brother, to a loving sister, to the mother and father who loved him so dearly. But it is too late: the just turn away from the w
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This is just a strikingly weird image - God separates sinner from saved, and the saved are somehow OK entering heaven without their loved ones? They don't plead for mercy for their children or parents? "Oh well, mom be damned..."
It seemed as if he used the shifts and lore and cunning of the world, as bidden to do, for the greater glory of God, without joy in their handling or hatred of that in them which was evil but turning them, with a firm gesture of obedience back upon themselves and for all this silent service it seemed as if he loved not at all the master and little,
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I have seen many with this sense of duty.
His very body had waxed old in lowly service of the Lord — in tending the fire upon the altar, in bearing tidings secretly, in waiting upon worldlings, in striking swiftly when bidden — and yet had remained ungraced by aught of saintly or of prelatic beauty. Nay, his very soul had waxed old in that service without growing towards light and beauty o
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The snares of the world were its ways of sin. He would fall. He had not yet fallen but he would fall silently, in an instant. Not to fall was too hard, too hard; and he felt the silent lapse of his soul, as it would be at some instant to come, falling, falling, but not yet fallen, still unfallen, but about to fall.
James Joyce • A Portrait of the Artist as a Young Man (Wisehouse Classics Edition)
To contemplate priesthood and have this be the very next thought is a full reckoning and dispiriting.
I will not serve that in which I no longer believe, whether it call itself my home, my fatherland, or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defence the only arms I allow myself to use—silence, exile, and cunning.
James Joyce • A Portrait of the Artist as a Young Man (Wisehouse Classics Edition)
This, ultimately, is the transformation from boy to man, what it's all been coming to.
I am curious to know are you trying to make a convert of me or a pervert of yourself?
James Joyce • A Portrait of the Artist as a Young Man (Wisehouse Classics Edition)
She was alone and still, gazing out to sea; and when she felt his presence and the worship of his eyes her eyes turned to him in quiet sufferance of his gaze, without shame or wantonness. Long, long she suffered his gaze and then quietly withdrew her eyes from his and bent them towards the stream, gently stirring the water with her foot hither and
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