
82 Lessons From the Masters of Street Photography

You don’t want to make your photos too obvious. You want the viewer to work hard to come up with his or her own interpretation of reality. You do this by adding mystery and removing context from your images:
Eric Kim • 82 Lessons From the Masters of Street Photography
"Photograph who you are!" - Bruce Gilden
Eric Kim • 82 Lessons From the Masters of Street Photography
that’s the arena of a work of art. It is to disturb, it to make you think, to make you feel.
Eric Kim • 82 Lessons From the Masters of Street Photography
Remember: you are not your photos. When people critique or criticize your photos, they aren't criticizing you. They're just judging your photos.
Eric Kim • 82 Lessons From the Masters of Street Photography
Human beings are uncomfortable with unambiguity, and they always want to see where they are in comparison to you.
Eric Kim • 82 Lessons From the Masters of Street Photography
There are two things that make a great photograph: content (what's in the frame) and form (how it is composed). You need a perfect marriage of these two elements to make a compelling image.
Eric Kim • 82 Lessons From the Masters of Street Photography
“I find that young people tend to stop too soon. They mimic something they’ve seen, but they don’t stay long enough. If you’re going to photograph anything, you have to spend a long time with it so your subconscious has a chance to bubble to the surface." - Bruce Davidson
Eric Kim • 82 Lessons From the Masters of Street Photography
as a photographer, we need to imbue meaning into the images we make.
Eric Kim • 82 Lessons From the Masters of Street Photography
There is no “objectivity” in photography. As a photographer, you are a filter of reality. You decide what to include in the frame, and what not to include in the frame.