
21 Lessons for the 21st Century

Silence isn’t neutrality; it is supporting the status quo.
Yuval Noah Harari • 21 Lessons for the 21st Century
Global politics thus follows the Anna Karenina principle: successful states are all alike, but every failed state fails in its own way, by missing this or that ingredient of the dominant political package.
Yuval Noah Harari • 21 Lessons for the 21st Century
More importantly, the analogy between history and biology that underpins the ‘clash of civilisations’ thesis is false. Human groups – all the way from small tribes to huge civilisations – are fundamentally different from animal species, and historical conflicts greatly differ from natural-selection processes. Animal species have objective identitie
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European Union’s draft Constitution, which says that ‘while remaining proud of their own national identities and history, the peoples of Europe are determined to transcend their former divisions and, united ever more closely, to forge a common destiny’.
Yuval Noah Harari • 21 Lessons for the 21st Century
How does a fascist evaluate art? How does a fascist know whether a movie is a good movie? Very simple. There is just one yardstick. If the movie serves the national interests, it is a good movie. If the movie does not serve the national interests, it is a bad movie. And how does a fascist decide what to teach kids in school? He uses the same yardst
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Hou YOU evaluate art?
Whenever politicians start talking in mystical terms, beware. They might be trying to disguise and excuse real suffering by wrapping it up in big incomprehensible words. Be particularly careful about the following four words: sacrifice, eternity, purity, redemption. If you hear any of these, sound the alarm.
Yuval Noah Harari • 21 Lessons for the 21st Century
produce a theatrical spectacle that will hopefully provoke the enemy and cause him to overreact. Terrorists stage a terrifying spectacle of violence that captures our
Yuval Noah Harari • 21 Lessons for the 21st Century
A crucial law of storytelling is that once a story manages to extend beyond the audience’s horizon, its ultimate scope matters little. People may display the same murderous fanaticism for the sake of a thousand-year-old nation as for the sake of a billion-year-old god. People are just not good with large numbers. In most cases, it takes surprisingl
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Pain is pain, fear is fear and love is love – even in the matrix. It doesn’t matter if the fear you feel is inspired by a collection of atoms in the outside world or by electrical signals manipulated by a computer. The fear is still real. So if you want to explore the reality of your mind, you can do that inside the matrix as well as outside it.