aron

In the new cultural economy, the culture is the product. It is composed of practices, ideas, and discourses. Products are auxiliary, supportive, but not the main event. And most importantly, people now opt into these designed cultures with full knowledge and awareness that these cultures might change who they are. The authenticity-driven culture

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“I found a piece you wrote in the footnote of a book that I admire.” In other words, it took effort for us to find each other. And much like an inefficient light bulb gives off heat, folk search algorithms have the byproduct of context.

In the end, maybe that’s the only definition of authenticity that doesn’t fall apart under close inspection: not a... See more

When we innovate only in terms of a solutionist framework, Easterling argues in her book  Medium Design , we optimize for static outcomes wedded to the status quo of product-market fit. Solutions are one-time fixes, usually implemented by someone else, which break as soon as the context they’re responding to changes (which it does, constantly).

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Cameron, you’ve said that when you’re not feeling particularly creative, you listen to a song, or watch a movie, or read a book, and before long you get “the urge to respond.” We typically hear the creative act described as, you know, there’s a void, and a flash of lighting cracks through it. But I really like that idea of response as intrinsic to... See more

Taste is about preference. When someone has "good taste" they have well-refined preferences. Taste sounds like a snotty term that a sommelier uses, but we all have tastes, even if we're not talking about taste in full-bodied reds from Northern Italy. We have taste in music, taste in design, and taste in literature (even if your literature is banger... See more