aron
@aronshelton
Designing and navigating various contextual arrangements with an enigmatic sense of hope. #wayfinder
aron
Despite the presumption that we're each in our own algorithmic bubbles, served up bespoke content — when something strikes a nerve, our networked lives ensure the signal travels instantaneously. It reaches all. Sometimes: the good. Often: the bad. And most likely of all: the ugly.
Matt Klein • Balenciaga, Sad Dogs & Provocative Marketing
In a long-context world, maybe the organizations that benefit from AI will not be the ones with the most powerful models, but rather the ones with the most artfully curated contexts.
You Exist In The Long Context
capital demands design address the hyper-specific moment of The Now; the site of consumption, of transaction. Thats all it cares for; where it eats. But we all live in the permanent ruins of what is created for that moment. designers should design them instead. that is our world.
ཊལབསརངཧtwitter.comdesign and
Taste Community and why curation...
Our situation resembles that of 18th century England. At the eve of a new Industrial Revolution, inundated by foreign products, lacking the central authority of an Elite to dictate and inspire mimesis, we are left wandering in endless store aisles and webpages, wondering how to properly consume.
I post this quote from Peter Block's book "Community" every year. It doesn't get much attention because it's not built for social media: it's thick.
But there really isn't a better explanation of the "why" behind the work I do, and its encouragement for communities to move away from blame, apathy, and entitlement and towards possibility,
... See moreIn order to imagine where the future is headed, let’s first lay out the three main steps of connection building to examine how the physical and digital worlds fare at each:
- Discovery : you find someone you want to meet, or that person finds you
- Connection : some initial contact is established
- Connection strengthening : further interactions
Joey DeBruin • The digital flip
we USED to have communities without communication. NOWADAYS we have communication without community.
What made the trilogy so stunning and atypical as a sci-fi story was the fact that Liu wasn’t interested in interrogating whether humans deserved to survive. Instead, the novels explored the danger of connection, of the way a thought, once shared, can expand into an unstoppable force—a radical, terrifying ideology or a shrewd solution to a... See more
design and
We like to see designing friction as a fundamental design principle when working with digital culture. Instead of following design ethics that strive to eliminate friction we suggest to not only allow, but embrace friction, facilitate it: design [products with] digital technology in a way that makes space for our humanness. Here friction is a core ingredient. Digital technology should create environments and situations in which we can truly connect with each other, as well as with the unknown, the uncontrolled, with all senses, all elements, all emotions. Create situations that are not calculated beforehand, predicted and measured; situations that result from and amount to the present moment.