Anni

Charles Atlas: “I can’t really analyze my own editing, but it’s mostly based on rhythm—rhythm of vision, rhythm of dancing. When I worked with Merce in the early days, we would determine about seventy-five percent of the edits in the dance studio while planning the film. We could test things out.

Later on, when I worked with Michael Clark, I already

FROM MARTA EX

Julie Wolfhorn

Jeanne Mammen

Bess Mensendiek

Ernst Fuhrmann

Lucinda Childs