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G ood investing is not necessarily about making good decisions. It’s about consistently not screwing up.

And that’s the wonder and danger of love, isn’t it? We find ourselves overcome by other selves. New, strange urges. That’s why we often measure passion by the distance from which it takes us from our accepted self-concepts. Love reminds us of how little we know of our limits and how afraid we are of losing them. We are such porous creatures. We are

“Being able to say ‘this is who I am’ when everything else feels uncertain, flimsy, prone to dissolution, may be the greatest comfort we have. Is anything more seductive, more empowering?/ To be alive is to subject oneself to the reality of being permeable/ so, while I welcome the pleasure of those moments when I feel like myself, I don’t think I w

Allowing yourself to be fully present with the experience of being seen, however challenging it may seem at first, helps create a meaningful connection with another person. You’re not talking to a collection of atoms—you’re sharing an experience with a consciousness that’s beholding you as you behold it. If you can stay aware of this dynamic while

A plan is only useful if it can survive reality. And a future filled with unknowns is everyone’s reality.

A good plan doesn’t pretend this weren’t true; it embraces it and emphasizes room for error. The more you need specific elements of a plan to be true, the more fragile your financial life becomes. If there’s enough room for error in your savings

No one wants to hold cash during a bull market. They want to own assets that go up a lot. You look and feel conservative holding cash during a bull market, because you become acutely aware of how much return you’re giving up by not owning the good stuff. Say cash earns 1% and stocks return 10% a year. That 9% gap will gnaw at you every day.

But if t

Our minds and bodies are coordinated by what we attend to and what we intend to do. By learning to consciously control these aspects of your internal experience—in conversation with others, on stage, and even on camera—you can indirectly change a lot about how you are perceived and the level of connection you can create. Instead of trying to contro